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Oppenheim Heimkehr cropped
Detail from Moritz Oppenheim, The Return of the Volunteer from the Wars of Liberation to His Family Still Living in Accordance with Old Customs, 1834. Wikimedia.
Observation

November 30, 2017

Who is Serenaded on Friday Night: the Woman of the House, or the Divine Presence?

By Atar Hadari

Before the meal on Sabbath eve, the prayer book offers a song of praise to the ideal woman.

After the invitation to the angels to bless the household, and before kiddush is recited and the family sits down to the Friday-night meal, the prayer book offers a song praising the ideal woman. Known as Eyshet Ḥayil, or “woman of valor,” the song is organized as an alphabetical acrostic (i.e., each verse starts with a new letter, in alphabetical order), and is in fact the concluding passage of the biblical book of Proverbs (31:10-31).

But why should the woman of the house be serenaded on Friday night—if that’s whom the song is really addressed to?

The scholar and educator Rabbi Issachar Jacobson (1901-1972) begins his magisterial discussion of this poem with a quotation from an earlier commentary on Jewish liturgy by the German Orthodox scholar Abraham Berliner (1833-1915). According to Berliner, “the poem was not placed in the prayer book—as is today erroneously supposed—to greet the housewife who governs the home with a Sabbath blessing.” Instead, Berliner endorses the opinion of the kabbalists, who believe the poem to be addressed to the Divine Presence, the Sh’khinah—conceived as God’s feminine aspect.

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