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Diana Muir Appelbaum

Diana Muir Appelbaum, a writer and historian, is at work on a book about nationhood and democracy. Her museum reviews have appeared in the Claremont Review, the New Rambler, and elsewhere.

Latest Content

  1. Observation ·

    A New Museum Tracks the History of Christian Zionists

    By Diana Muir Appelbaum

    The Friends of Zion Museum in Jerusalem offers a fascinating (if occasionally overdone) view of the movement.

    A New Museum Tracks the History of Christian Zionists
  2. Observation ·

    The Best Books of 2019, Chosen by Mosaic Authors (Part I)

    By Elliott Abrams, Diana Muir Appelbaum, Matti Friedman, Haviv Rettig Gur, Daniel Johnson, Moshe Koppel, Daniel Polisar

    Seven of our regular writers pick several favorites each, featuring sieges, spies, cultural revolutions, family papers, useful enemies, new fields of inquiry, and more.

    The Best Books of 2019, Chosen by Mosaic Authors (Part I)
  3. Observation ·

    Filthy Lucre: A Look at the History of Jews and Money

    By Diana Muir Appelbaum

    An exhibit at the Jewish Museum London showcases the old, vicious stereotype with the aim of debunking it. But does it succeed?

    Filthy Lucre: A Look at the History of Jews and Money
  4. Response ·

    The Impact of the Bible

    By Diana Muir Appelbaum

    Committed to developing and supporting the intellectual, religious, and political leaders of the Jewish people and the Jewish state.

    The Impact of the Bible
  5. Monthly Essay ·

    Who’s Afraid of the Museum of the Bible?

    By Diana Muir Appelbaum

    Critics accuse it of threatening the separation of church and state; in truth, Washington's new museum makes an invaluable contribution to American (and Jewish) cultural literacy.

    Who’s Afraid of the Museum of the Bible?
  6. Response ·

    Why Are There So Many Jewish Museums?

    By Diana Muir Appelbaum

    Committed to developing and supporting the intellectual, religious, and political leaders of the Jewish people and the Jewish state.

    Why Are There So Many Jewish Museums?