How Volodymyr Zelensky Became Ukraine’s Jewish Hero
And why his comedy matters.
April 26, 2022
Some great works of cinema, coupled with small, easily digestible doses of piety.
In the years after World War II, America saw a flood of films based on biblical themes—most prominently Cecil B. DeMille’s The Ten Commandments (1956) and Ben-Hur (1959). The first, of course, takes as its subject the book of Exodus, and while the second is inspired by the New Testament, it is in a sense a very Jewish story set in Roman Judea. Matthew Franck examines the rise and fall of this genre, and its underlying religious message.
And why his comedy matters.
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Some great works of cinema, coupled with small, easily digestible doses of piety.
In the years after World War II, America saw a flood of films based on biblical themes—most prominently Cecil B. DeMille’s The Ten Commandments (1956) and Ben-Hur (1959). The first, of course, takes as its subject the book of Exodus, and while the second is inspired by the New Testament, it is in a sense a very Jewish story set in Roman Judea. Matthew Franck examines the rise and fall of this genre, and its underlying religious message.
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