Tikvah
Editors’ Pick

November 12, 2015

How a Literary Masterpiece Launched Five Decades of Bad Holocaust Fiction

The Pawnbroker.

Decrying the proliferation of novels that exploit “an utterly unredemptive historical catastrophe for the sake of yet another love story or coming-of-age tale or journey of self-discovery,” Dara Horn considers Edward Lewis Wallant’s The Pawnbroker (1961). The novel tells the story of an embittered Holocaust survivor named Sol, who runs a pawnshop in Harlem, and it served as a prototype for others after it—which, she argues, it emphatically is not:

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