The Specter of a “New World Order” Created by Russia, China, and Iran
The Biden administration is ignoring a powerful, and growing, anti-American alliance.
February 3, 2022
From a title inspired by a Chagall painting to 35 discarded songs, the classic musical has a rich and illuminating history.
When Fiddler on the Roof premiered on Broadway in 1964, Irving Howe panned it in Commentary, referring to Anatevka as “the cutest shtetl we’ve never had.” Philip Roth characterized it as “shtetl kitsch.” And behind the scenes, as Saul Jay Singer writes, there was a good deal of turmoil—Marc Chagall refused to design the set; the lead actor, Zero Mostel, repeatedly clashed with the director Jerome Robbins. In tracing the play’s colorful history, Singer points to possible reasons behind its enduring popularity.
The Biden administration is ignoring a powerful, and growing, anti-American alliance.
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From a title inspired by a Chagall painting to 35 discarded songs, the classic musical has a rich and illuminating history.
When Fiddler on the Roof premiered on Broadway in 1964, Irving Howe panned it in Commentary, referring to Anatevka as “the cutest shtetl we’ve never had.” Philip Roth characterized it as “shtetl kitsch.” And behind the scenes, as Saul Jay Singer writes, there was a good deal of turmoil—Marc Chagall refused to design the set; the lead actor, Zero Mostel, repeatedly clashed with the director Jerome Robbins. In tracing the play’s colorful history, Singer points to possible reasons behind its enduring popularity.
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